Summary: By placing abstract art within its political and cultural history, Anna Moszynska elucidates a form that, since its origin, has bewildered its admirers and detractors alike. She offers the reader a comprehensive trajectory of abstraction-- from the radically new pictorial language of Bella and Delaunnay, to the visceral spirituality of Kandinsky and Mondrian, to the geometrically-obsessed artists of the 1930s and 1940s. The author takes us from the origin of the move
ment during the First World War to the post-World War II Zeitgeist that emphasized personal expression, and finally, the revival of Abstraction practiced by Neo-Geo, among others, in the 1980s. A succinct and deftly written account of abstraction, Moszynska offers both an overview of the philosophy of the movement as well as analyses of the approaches of individual artists.
Summary: By placing abstract art within its political and cultural history, Anna Moszynska elucidates a form that, since its origin, has bewildered its admirers and detractors alike. She offers the reader a comprehensive trajectory of abstraction-- from the radically new pictorial language of Bella and Delaunnay, to the visceral spirituality of Kandinsky and Mondrian, to the geometrically-obsessed artists of the 1930s and 1940s. The author takes us from the origin of the movement during the First World War to the post-World War II Zeitgeist that emphasized personal expression, and finally, the revival of Abstraction practiced by Neo-Geo, among others, in the 1980s. A succinct and deftly written account of abstraction, Moszynska offers both an overview of the philosophy of the movement as well as analyses of the approaches of individual artists. ...show less
Edition/Copyright:90 Cover: Paperback Publisher:Thames & Hudson Published: 01/28/1990 International: No
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240 pp., illus. (some col.), biblio., index; 21 cm. Tight, clean copy. With 162 illustrations, 25 in color. "Anna Moszynska shows here how abstract art originated and evolved, placing it in its broad ...show morehistorical and cultural context. She traces the paths to abstraction forged by artists such as Balla, Kupka and Delaunay, and examines the pioneering work of Kandinsky, Malevich and Mondrian, the Russian Constructivists, the De Stijl group and the Bauhaus artists, and contrasts the geometric tendencies of the 1930s and 1940s with the post-War emphasis on personal expression that culminated in Abstract Expressionism in the United States. Finally, Anna Moszynska considers the work of 'Post-Painterly,' Op, Kinetic and Minimal artists and examines the revived abstraction practised by Neo-Geo and other artists of the 1980s." - Publisher. ...show less
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London, England 1990 Trade paperback Good. Trade paperback (US). Glued binding. 240 p. Contains: Illustrations. World of Art.
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