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American Poetry : The Twentieth Century, Volume I : From Henry Adams to Dorothy Parker - 00 edition

American Poetry : The Twentieth Century, Volume I : From Henry Adams to Dorothy Parker (ISBN10: 1883011779; ISBN13: 9781883011772)
ISBN13: 978-1883011772
ISBN10: 1883011779

Summary: This landmark anthology, part of a series that will eventually cover the entire century, gathers nearly 1500 poems by over 200 poets to restore American poetry's most brilliant era in all its beauty, explosive energy, and extraordinary diversity.Included are generous selections of the century's great poets -- Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, Ezra Pound, Langston Hughes; and undervalued poets like Witter Bynner, Mina Loy, Louis Zukofsky, Ogden Na ...show moresh, Dorothy Parker, Robert Johnson; and a wealth of talented and overlooked poets, experimentalists, formal innovators, popular and humorous versifiers, poets of social protest, and accomplished songwriters. ...show less

Edition/Copyright: 00
Cover: Hardback
Publisher: Library of America
Published: 04/01/2000
International: No



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New York, NY 2000 Hard cover Fine. Sewn binding. Cloth over boards. With slipcase 986 p. Library of America, 115 Audience: General/trade. A fine, as new, copy bound in blue cloth covered boards with ...show more a ribbon marker; issued without a DJ and housed in a fine, cream colored slipcase. Stated 1st edition; 8vo., 986 pages. ...show less
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New York 2000 H Cloth Fine. No Jacket Nno dujst jacket. Until nearly the end of the 19th century, American poetry remained in its infancy. To be sure, Emily Dickinson and Walt Whitman had already p ...show moreroduced their epochal (and diametrically opposed) masterpieces. But these were sui generis eccentrics, working on the fringes of a culture still in thrall to its Old World origins. Only with the dawning of the 20th century did American poets manage to cut the umbilical cord, and with astonishing results. Wallace Stevens, Robert Frost, Marianne Moore, William Carlos Williams, Claude McKay, and T.S. Eliot all seemed to appear out of thin air, imparting their accents--mandarin or bucolic or, in McKay's case, definitively uptown--to the modernist uproar. This artistic explosion has already been the subject of numerous studies (including such classics as Hugh Kenner's The Pound Era and Ann Douglas's Terrible Honesty), and even more numerous anthologies. But for sheer splendor and big-tent inclusiveness, American Poet ...show less
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