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Anthology for Musical Analysis

Anthology for Musical Analysis - 6th edition

ISBN13: 978-0155062184

Cover of Anthology for Musical Analysis 6TH 04 (ISBN 978-0155062184)
ISBN13: 978-0155062184
ISBN10: 0155062182
Cover type:
Edition/Copyright: 6TH 04
Publisher: Schirmer
Published: 2004
International: No

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Anthology for Musical Analysis - 6TH 04 edition

ISBN13: 978-0155062184

Charles Burkhart

ISBN13: 978-0155062184
ISBN10: 0155062182
Cover type:
Edition/Copyright: 6TH 04
Publisher: Schirmer

Published: 2004
International: No
Summary

This landmark collection of over 200 complete musical compositions and movements, ranging in time from the Middle Ages to the present, contains a large and varied body of music for study. In addition to providing ample material for both a full-year course in the analysis of musical forms and a one-semester course in twentieth-century techniques, the book offers first- and second-year music theory classes a wealth of illustrations of chords, voice-leading techniques, and forms--plus some material for figured-bass realization and score reading. Because the book consists primarily of music and takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

Benefits:

  • The anthology offers more than 200 complete musical compositions, ranging from the Middle Ages through the present, giving instructors a wide variety of selections from which to choose. Though arranged chronologically, the pieces can be taught in the order that best suits the instructor's needs.
  • NEW!-Beethoven's Sonata for Violin and Piano ("Spring") and the scherzo from Piano Sonata No. 15 in D major return in this edition.
  • NEW!-In response to reviewer requests, this edition provides more music for instruments other than piano.
  • NEW!-A new glossary of foreign terms and expressions adds cultural context and defines relevant vocabulary for students.
  • Burkhart includes works from more than 50 different composers, providing a thorough sampling of styles for comparison.
  • A separate appendix on jazz contains examples of both blues and "rhythm changes," and includes music by Charlie Parker and John "Dizzy" Gillespie. A second appendix gives 33 chorale harmonizations by Bach and eight other composers.
  • Each musical form (e.g., sonata form, rondo, variations, fugue, etc.) is represented by numerous examples progressing from simple to complex, providing students with a wide range of pieces to study.
  • Two indexes serve as "example finders", locating by page and measure number many examples in the music of chords, harmonic and contrapuntal devices, musical forms and genres, and many other technical elements. Instructors will find this feature particularly useful to quickly find examples of what they want to teach.
  • NEW!-Approximately 25 percent new musical selections (over 50 total) appear in this edition. Overall, the text has been revised to offer instructors and students an updated and comprehensive resource, while maintaining a large, strong group of core pieces.
  • NEW!-The new edition includes fourteen new composers, almost half of those from the 20th century. New composers include Messiaen, Ligeti, Reich, Adams, and many others. The newly added composers contribute more diversity, with five women (Hildegard of Bingen, Elisabeth Jacquet de La Guerre, Fanny Mendelssohn Hensel, Clara Schumann, and Amy Beach) and a non-Western composer (Toru Takemitsu of Japan) included in this edition.
  • NEW!-Music for small ensembles has been somewhat increased, most notably by movements from three winds pieces--Mozart's Divertimento for Wind Sextet, Stravinsky's Octet, and Ligeti's Ten Pieces for Wind Quintet. The representation of music for wind instruments is further strengthened by Mozart's Clarinet Concerto in A major, first movement.
  • NEW!-Other notable new pieces include the Prelude and Fugue in E Major from Well Tempered Clavier, Book II; the dramatic chorus "Wretched Lovers" from Handel's Acis and Galatea; the first movement of Haydn's Piano Sonata in C Sharp minor; the first movement of Beethoven's String Quartet No. 2 ("Rasumovsky"); six of Brahms's Variations on a Theme of Schumann; Messiaen's Quartet for the End of Time, first movement; two movements from Stravinsky's Agon; and an aria from Adams's Nixon in China.

Table of Contents

Part 1: MEDIEVAL AND RENAISSANCE MUSIC. Introduction. Examples of PlainchantùKyrie from Mass XIII; Tone for the Benedicamus Domino; Hymn to St. John the Baptist; Hymn for Lauds, December 25; Antiphon for Vespers, 3rd Sunday of Advent; Gloria Patri for the Introit of the Mass. Hildegard of BingenùExcerpts from Ordo Virtutum (morality play). Guillaume de MachautùDe bon espoirùPuisque la douce roseeùSperavi (isorhythmic motet). Guillaume DufayùCommunio from Missa Sancti Jacobi (fauxbourdon). Josquin DesprezùTu pauperum refugium (motet); BaisTs moy (double canon). Giovanni Pierluigi da PalestrinaùSanctus and Benedictus from Missa Aeterna Christi Munera. Roland de LassusùThree Duos: 2-Beatus homo; 5-Expectatio justorum; 12-Sicut rosa. Examples of Stock Basses (late sixteenth century)ùClaude Gervaise, Pavane Passamaize; Jacomo Gorzanis, Passamezzo and Saltarello (dance pair); Greensleeves. Thomas MorleyùNow is the Month of Maying (ballet). Carlo GesualdoùMoro lasso al mio duolo (madrigal).

Part 2: BAROQUE COMPOSITIONS. Introduction. Claudio MonteverdiùLasciatemi morire (madrigal). Arcangelo CorelliùAdagio and Allegro from Violin Sonata, Op. 5, No. 1; Allemanda from Trio Sonata, Op. 4, No. 11. Henry PurcellùDido's Lament from Dido and Aeneas. Elisabeth Jacquet de La GuerreùPrelude from Suite II of PiFces de Clavecin. Frantois CouperinùLes Moissonneurs from PiFces de Clavecin, Ordre VI. Notebook for Anna Magdalena BachùFour Pieces: March, Minuet, Aria, Polonaise. George Frideric HandelùConcerto Grosso in B minor, Op. 6, No. 12 (in score): Largo, Allegro; Air from Suite No. 5 in E major (variations); Chorus: "Wretched Lovers" from Acis and Galatea; Recitative: "Thy rebuke hath broken his heart" from Messiah; Aria: "Where'er you walk" from Semele. Johann Sebastian BachùGavottes I and II from English Suite No. 3 in G minor; Minuets I and II from Suite No. 1 in G major for Violoncello Solo; Chaconne from Partita No. 2 in D minor for Violin Solo; Two Inventions: No. 4 in D minor, No. 12 in A major; Preludes and Fugues from The Well-Tempered Clavier from Book I: Prelude 1 in C major, Fugue 11 in F major, Fugue 16 in G minor, Fugue 21 in B flat major; from Book II: Prelude and Fugue 9 in E major (with the Fugue in E major of J.K.F. Fischer, ca. 1665-1746); Contrapunctus VII from The Art of the Fugue; Four Canons from The Musical Offering; Crucifixus from Mass in B minor; O Gott, du frommer Gott (chorale variation); Two Chorale Preludes: Wenn wir in h÷chsten N÷ten sein, Vor deinen Tron tret' ich hiermit. Domenico ScarlattiùSonata in D major, K. 96 (Longo 465).

Part 3: CLASSICAL COMPOSITIONS. Introduction. Joseph HaydnùPiano Sonata No. 36 in C sharp minor, first movement; Piano Sonata No. 37 in D major, third movement; String Quartet in G minor, Op. 74, No. 3, second movement; Symphony No. 101 in D major, third and fourth movement (in score). Muzio ClementiùSonatina in G major, Op. 36, No.2, first movement. Wolfgang Amadeus MozartùDivertimento No. 14 for wind sextet, K. 270, second movement; Theme with Variations from Piano Sonata in D major, K. 284; Piano Sonata in B flat major, K. 333: Allegro, Andante cantabile, Allegretto grazioso; Fantasia in C minor, K. 475; The Bird-Catcher's Song from The Magic Flute, K. 620; Clarinet Concerto in A major, K. 622, first movement (in score). Ludwig van BeethovenùPiano Sonata No. 1 in F minor, Op. 2, No. 1, first movement; Piano Sonata No. 4 in E flat major, Op. 7, second movement; Piano Sonata No. 5 in C minor, Op. 10, No. 1, second movement; Piano Sonata No. 8 in C minor, Op. 13 ("PathTtique"): Grave, Allegro di molto e con brio, Adagio cantabile, Allegro; Piano Sonata No. 9 in E major, Op. 14, No. 1, second movement; Sonata for Violin and Piano ("Spring"), Op. 24, first movement; Piano Sonata No. 15 in D major, Op. 28, third movement; Piano Sonata No. 21 in C major ("Waldstein"), Op. 53, first movement; String Quartet in E minor, Op. 59, No. 2, first movement; String Quartet No. 13 in B flat major, Op. 130, second movement.

Part 4: ROMANTIC COMPOSITIONS. Introduction. Carl Friedrich Zelterù"Der K÷nig in Thule". Franz SchubertùThree Lieder: "NShe des Geliebten", "Der DoppelgSnger" from Schwanengesang, "Erlk÷nig"; Two Piano Pieces: Waltz in A flat major, Op. 9, No. 2, Moment Musical in A flat major, Op. 94, No. 6. Fanny Mendelssohn Henselù"O Herbst" (a cappella chorus). Felix MendelssohnùSong Without Words, Op. 19b, No.1. Robert SchumannùSeven Pieces from Album for the Young, Op. 68: 1-Melody, 3-Humming Song, 6-Poor Orphan Child, 8-Wild Rider, 14-Little Etude, 17-Little Morning Wanderer, 31-War Song; Vogel als Prophet from Waldszenen, Op. 82; "Er, der herrlichste von allen" from Frauenliebe und -leben, Op. 42. FrTdTric ChopinùFive Preludes from Op. 28: No. 1 in C major, No. 4 in E minor, No. 6 in B minor, No. 9 in E major, No. 19 in E flat major, No. 20 in C minor; Four Mazurkas: No. 5 in B flat major, Op. 7, No. 1; No. 6 in A minor, Op. 7, No. 2; No. 37 in A flat major, Op. 59, No. 2; No. 49 in F minor, Op. posth. 68, No. 4; Nocturne in D flat major, Op. 27, No. 2. Richard WagnerùPrelude to Act I from Tristan und Isolde. Clara SchumannùAndante espressivo from Quatre PiFces fugitives, Op. 15. CTsar FranckùModerato from Chorale No. 1 in E major for organ. Johannes BrahmsùVariations on a Theme of Robert Schumann, Op. 9 (excerpt); "Wie Melodien zieht er mir," Op. 105, No. 1; Three Intermezzos: Intermezzo in A minor, Op. 76, No. 7; Intermezzo in A major, Op. 118, No. 2; Intermezzo in C major, Op. 119, No. 3; Sonata in F minor for Clarinet and Piano, Op. 120, No. 1, first movement. Hugo WolfùTwo Songs: "Das verlassene MSgdlein", "In der Frnhe". Gustav MahlerùAdagietto from Symphony No. 5 (score). Amy Beachù"Dark is the Night," from Three Songs, Op. 11.

Part 5: SINCE DEBUSSY. Introduction. Claude DebussyùPrTlude a "L'AprFs-midi d'un faune"; La cathTdrale engloutie, from Preludes, Book I. Arnold SchoenbergùNo. 1 of Three Piano Pieces, Op. 11: Summer Morning by a Lake (Colors); No. 3 of Five Pieces for Orchestra, Op. 16: Piano Piece, Op. 33a. Charles IvesùTwo Songs: "The Cage"; "General William Booth Enters into Heaven" (with the hymn "Cleansing Fountain"). Maurice Ravelù"Le Martin-POcheur" from Histoires Naturelles. BTla Bart=kùThree Pieces from Mikrokosmos: Bulgarian Rhythm, Syncopation, Diminished Fifth; Music for String Instruments, Percussion, and Celesta; first movement (score). Igor StravinskyùLe sacre du printemps, Introduction to Part II; Theme and Variations A, B, and C from Octet for Wind Instruments, second movement; "Full Fadom Five" from Three Songs from William Shakespeare; Pas-de-Quatre and Coda from Agon. Anton WebernùFive Movements for String Quartet, Op. 5, fourth movement; "Wie bin ich froh!" from Drei Lieder, Op. 25; Variations for Piano, Op. 27, second movement. Alban Bergù"Schlafend trSgt man mich" from Vier Lieder, Op. 2. Paul Hindemithù"A Swan" from Six Chansons; Fuga prima in C from Ludus Tonalis. Ernst KrenekùSuite for Violoncello Solo, Op. 84, first movement. Ruth Crawford SeegerùString Quartet 1931, third movement. Luigi DallapiccolaùSimbolo, No. 1 from Quaderno Musicale di Annalibera. Olivier MessiaenùLiturgie de cristal, No. 1 from Quatuor pour la fin du temps. Elliott CarterùCanaries from Eight Pieces for Four Timpani. William SchumanùThree-Score Set, second movement. John CageùFor Paul Taylor and Anita Dencks. Milton Babbittù"Play on Notes" for children's voices and bells; Semi-Simple Variations. Gy÷rgy LigetiùNo. 1 of Ten Pieces for Wind Quartet. George Crumbù"+Por quT nacf entre espejos? from Madrigals, Book IV. Toru TakemitsuùAutumn from Rocking Mirror Daybreak for violin duo. Terry RileyùIn C. Steve ReichùClapping Music. Bruce

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Anthology for Musical Analysis - 7th edition

ISBN13: 978-0495916079
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