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Dirty Politics : Deception, Distraction, and Democracy - 92 edition

Dirty Politics : Deception, Distraction, and Democracy (ISBN10: 0195085531; ISBN13: 9780195085532)
ISBN13: 978-0195085532
ISBN10: 0195085531

This edition has also been released as:
ISBN13: 978-0195078541
ISBN10: 0195078543

Summary: Americans in recent years have become thoroughly disenchanted with our political campaigns, especially with campaign advertising and speeches. Each year, as November approaches, we are bombarded with visceral appeals that bypass substance, that drape candidates in the American flag but tell us nothing about what they'll do if elected, that flood us with images of PT-109 or Willie Horton, while significant issues -- such as Kennedy's Addison's Disease or the loomi
ng S&L catastrophe -- are left unexamined. And the press -- the supposed safeguard of democracy -- focuses on campaign strategy over campaign substance, leaving us to decide where the truth lies. In Dirty Politics, campaign analyst Kathleen Hall Jamieson provides an eye-opening look at political ads and speeches, showing us how to read, listen to, and watch political campaigns. Jamieson provides a sophisticated (and often humorous) analysis of advertising techniques, describing how television ads use soft focus, slow motion, lyrical or patriotic music (Reagan used "I'm Proud to be an American") to place a candidate in a positive light, or quick cuts, black and white, videotape, and ominous music (for instance, the theme from Jaws) to portray the opposition. She shows how ads sometimes mimic news spots to add authenticity (Edwin Edwards, in his race against David Duke, actually used former NBC correspondent Peter Hackis, who would begin an ad saying "This is Peter Hackis in Baton Rouge"). And Jamieson points out that consultants create inflammatory ads hoping that the major networks will pick them up and run them as news, giving the ad millions of dollars of free air time. The most striking example would be the Willie Horton ad, which the press aired repeatedly (as an example of negative advertising) long after the ad had ceased running. (In fact, it never ran on the major networks as an ad, only as news.). Campaign analyst Kathleen Jamieson provides an eye-opening look at underhanded political campaigning and presents a compelling argument for fair and accurate campaigns with substance. The author of Packaging the Presidency, Jamieson will serve as an analyst this fall on Bill Moyer's weekly PBS election coverage. Illustrated with photographs and graphs. Jamieson argues that "both the candidates and the media have substituted sound-bite theatrics for substantive engagement with national issues. . . .{Her analysis of the 1988 presidential campaign contends that} TV ads (for example, the Bush ads linking Dukakis to Willie Horton and ridiculing Dukakis' tank ride) can obscure a candidate's actual positions while mesmerizing broadcasters and reporters." (Booklist) Bibliography. Index.
...show more
Summary: Americans in recent years have become thoroughly disenchanted with our political campaigns, especially with campaign advertising and speeches. Each year, as November approaches, we are bombarded with visceral appeals that bypass substance, that drape candidates in the American flag but tell us nothing about what they'll do if elected, that flood us with images of PT-109 or Willie Horton, while significant issues -- such as Kennedy's Addison's Disease or the looming S&L catastrophe -- are left unexamined. And the press -- the supposed safeguard of democracy -- focuses on campaign strategy over campaign substance, leaving us to decide where the truth lies. In Dirty Politics, campaign analyst Kathleen Hall Jamieson provides an eye-opening look at political ads and speeches, showing us how to read, listen to, and watch political campaigns. Jamieson provides a sophisticated (and often humorous) analysis of advertising techniques, describing how television ads use soft focus, slow motion, lyrical or patriotic music (Reagan used "I'm Proud to be an American") to place a candidate in a positive light, or quick cuts, black and white, videotape, and ominous music (for instance, the theme from Jaws) to portray the opposition. She shows how ads sometimes mimic news spots to add authenticity (Edwin Edwards, in his race against David Duke, actually used former NBC correspondent Peter Hackis, who would begin an ad saying "This is Peter Hackis in Baton Rouge"). And Jamieson points out that consultants create inflammatory ads hoping that the major networks will pick them up and run them as news, giving the ad millions of dollars of free air time. The most striking example would be the Willie Horton ad, which the press aired repeatedly (as an example of negative advertising) long after the ad had ceased running. (In fact, it never ran on the major networks as an ad, only as news.). Campaign analyst Kathleen Jamieson provides an eye-opening look at underhanded political campaigning and presents a compelling argument for fair and accurate campaigns with substance. The author of Packaging the Presidency, Jamieson will serve as an analyst this fall on Bill Moyer's weekly PBS election coverage. Illustrated with photographs and graphs. Jamieson argues that "both the candidates and the media have substituted sound-bite theatrics for substantive engagement with national issues. . . .{Her analysis of the 1988 presidential campaign contends that} TV ads (for example, the Bush ads linking Dukakis to Willie Horton and ridiculing Dukakis' tank ride) can obscure a candidate's actual positions while mesmerizing broadcasters and reporters." (Booklist) Bibliography. Index. ...show less

Edition/Copyright: 92
Cover: Print On Demand
Publisher: Oxford University Press
Year Published: 1992
International: No



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