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Divine Utterances : The Performance of Afro-Cuban Santeria - With CD - 01 edition

Divine Utterances : The Performance of Afro-Cuban Santeria - With CD (ISBN10: 1560989475; ISBN13: 9781560989479)
ISBN13: 978-1560989479
ISBN10: 1560989475

This edition has also been released as:
ISBN13: 978-1560989226
ISBN10: 156098922X

Summary: In Divine Utteranges, Katherine J. Hagedorn explores the enduring cultural and spiritual power of the music of Afro-Cuban Santeria and the process by which it has been transformed for a secular audience. She focuses on the integral connections between sacred music performances and the dramatizations of theatrical troupes, especially the state-sponsored Conjunto Folklorico Nacional de Cuba, and examines the complex relationships involving race, politics, and religion
in Cuba. The music that Hagedorn describes is rooted in Afro-Cuban religious tradition and today pervades secular performances that can produce a trance in audience members in the same way as a traditional religious ceremony.

Hagedorn's analysis is deeply informed by her experiences in Cuba as a woman, scholar, and apprentice bata drummer. She argues that constructions of race and gender, the politics of pre- and post-Revolutionary Cuba, the economics of tourism, and contemporary practices within Santeria have contributed to a blurring of boundaries between the sacred and the folkloric. As both modes now vie for primacy in Cuba's burgeoning tourist trade, what had once been the music of a marginalized group is now a cultural expression of national pride.
...show more
Summary: In Divine Utteranges, Katherine J. Hagedorn explores the enduring cultural and spiritual power of the music of Afro-Cuban Santeria and the process by which it has been transformed for a secular audience. She focuses on the integral connections between sacred music performances and the dramatizations of theatrical troupes, especially the state-sponsored Conjunto Folklorico Nacional de Cuba, and examines the complex relationships involving race, politics, and religion in Cuba. The music that Hagedorn describes is rooted in Afro-Cuban religious tradition and today pervades secular performances that can produce a trance in audience members in the same way as a traditional religious ceremony.

Hagedorn's analysis is deeply informed by her experiences in Cuba as a woman, scholar, and apprentice bata drummer. She argues that constructions of race and gender, the politics of pre- and post-Revolutionary Cuba, the economics of tourism, and contemporary practices within Santeria have contributed to a blurring of boundaries between the sacred and the folkloric. As both modes now vie for primacy in Cuba's burgeoning tourist trade, what had once been the music of a marginalized group is now a cultural expression of national pride. ...show less

Edition/Copyright: 01
Cover: Paperback
Publisher: Smithsonian Books
Year Published: 2001
International: No



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