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French Hospitality : Racism and North African Immigrants

French Hospitality : Racism and North African Immigrants - 99 edition

ISBN13: 978-0231113762

ISBN13: 978-0231113762
ISBN10: 0231113765
Cover type: Print On Demand
Edition/Copyright: 99
Publisher: Columbia University Press
Published: 1999
International: No

List price: $40.00

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French Hospitality : Racism and North African Immigrants - 99 edition

ISBN13: 978-0231113762

Tahar Ben Jelloun and Barbara Trans. Bray

ISBN13: 978-0231113762
ISBN10: 0231113765
Cover type: Print On Demand
Edition/Copyright: 99
Publisher: Columbia University Press

Published: 1999
International: No
Summary

The award-winning novelist and author of the international bestseller Racism Explained to My Daughter uses his own experience to illuminate the experience of the Other in his adopted land - and everywhere. A Moroccan who emigrated to France in 1971, Tahar Ben Jelloun draws upon his own encounters with racism along with his insights as a practicing psychologist and gifted novelist to elucidate the racial divisions that plague contemporary society. In a modern France where openly racist leaders such as National Front spokesman Jean-Marie Le Pen have made significant strides toward broad popular acceptance, Ben Jelloun´s book is more topical now than ever. His profound and compelling appeal for tolerance - in both public discourse and the law - is a passionate yet reasoned argument that racism simply does not make sense in the multicultural world of today.

French Hospitality confronts issues of international resonance: the relationship of a formerly colonized people to their onetime colonizers, the encounter between Islam and the modern Judeo-Christian West, and the status of the non-European minorities in Europe today. Underlying these issues is a heartfelt nostalgia for simple, traditional North African hospitality as practiced since time immemorial by a relatively poor and unsophisticated society. Ben Jelloun supplements this rather noble ideal of generosity and welcoming by borrowing the philosophical concept of hospitality - the opening of oneself to another - from the works of Emmanuel Lévinas and Jacques Derrida in order to illustrate the moral conception of a nation´s unconditional acceptance of foreigners. Isn´t the belief in welcoming strangers a fundamental mark of civilization? In a political climate where increasingly repressive immigration laws are a national trend as well as an international phenomenon, he contends, it is not surprising that racism has gained a foothold. Most hurt by racist polemic and politics, he points out, are children of immigrants - born in France, their memories are those of the French people, and they deserve to be treated with the full respect afforded to any citizen.

With his elegant and imaginative prose, Ben Jelloun shows us both racism´s face and the immigrant´s heartbreak; but he also evokes the wind of freedom and the ideal of hospitality, and with this gesture offers a kind of hope in extricating ourselves from racism´s recidivist incoherencies.

Author Bio

Ben Jelloun, Tahar :

Tahar Ben Jelloun, winner of the 1994 Prix Maghreb and of the 1987 Goncourt Prize for his novel La Nuit sacrée (The sacred night), has published ten novels, four books of poetry, and three works of nonfiction. His books have been widely translated and include three novels in English: Silent Day in Tangiers, Corruption, and The Sand Child. His recent Racism Explained to My Daughter has been translated into fifteen languages and has sold more than 300,000 copies.




Bray, Barbara :

Barabara Bray lives in Paris where she is a writer, critic, and translator. She has translated many books, including The Lover by Marguerite Duras, Jacques Lacan by Elisabeth Roudinesco (Columbia, 1997), as well as three of Julia Kristeva´s novels: Possessions, The Old Man and the Wolves, and The Samurai (all published by Columbia).

Table of Contents

Preface
1. The laws of hospitality
2. A racism both deep and superficial
3. A peaceful popular racism
4. Selective indignation
5. A pessimitic/sordid image
6. The old and the new
7. The state as salesman
8. The myth of return
9. The aesthetes of silence
Conclusion

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