Summary: The re-imagined twelfth edition ofThe Theatre Experienceis students' ticket to the best seat in the house. From Broadway to makeshift theater spaces around the world, the author demonstrates the active and lively role they play as audience members by engaging them in the collaborative and creative processes behind and in front of the curtain. Wilson introduces students to the roles of the performers, directors, producers and designers, while emphasizing the insights they as au
dience members bring to any production. Recast as fifteen chapters, the twelfth edition better accommodates today's teaching schedules, as well as improves accessibility for students by concise insight and up-to-date vibrant production visuals. Students join the creative process withThe Theatre Experience, and rehearse for their role as life-long audience members.
Summary: The re-imagined twelfth edition ofThe Theatre Experienceis students' ticket to the best seat in the house. From Broadway to makeshift theater spaces around the world, the author demonstrates the active and lively role they play as audience members by engaging them in the collaborative and creative processes behind and in front of the curtain. Wilson introduces students to the roles of the performers, directors, producers and designers, while emphasizing the insights they as audience members bring to any production. Recast as fifteen chapters, the twelfth edition better accommodates today's teaching schedules, as well as improves accessibility for students by concise insight and up-to-date vibrant production visuals. Students join the creative process withThe Theatre Experience, and rehearse for their role as life-long audience members. ...show less
Edition/Copyright:12TH 11 Cover: Paperback Publisher:McGraw-Hill Publishing Company Year Published: 2011 International: No
View Author Bio
Ed Wilson attended Vanderbilt, the University of Edinburgh, and Yale University where he received the first Doctor of Fine Arts degree awarded by Yale. He has taught at Vanderbilt, Yale, Hunter College and the Graduate Center of the City University of New York. Most recently he has been Executive Director of the Segal Theatre Center at the CUNY Graduate Center. He is the author or co-author of three of the most widely used college theater textbooks in the U. S. The tenth edition of his pioneer book, The Theater Experience, was published in 2006 by McGraw-Hill. The sixth edition of his text Theater: The Lively Art (co-authored with Alvin Goldfarb) will be published by McGraw Hill in theDecember, 2006. The fourth edition of his theater history, Living Theatre: Histories of Theatre, (also co-authored with Alvin Goldfarb) will be published in December, 2006. He is also the editor of Shaw on Shakespeare, recently re-issued by Applause Books.
He has produced plays on and off Broadway and served one season as the resident director of the Barter Theatre in Abingdon, Virginia. He also produced a feature film, The Nashville Sound, recently made available on DVD. He is the author of two original plays, a farce, The Bettinger Prize, and a play about Ponce de Leon, Waterfall. He wrote the book and lyrics for a musical version of Great Expectations. All three have been given a series of successful readings in New York City and elsewhere. Great Expectations was given a full production for three weeks in February and March, 2006, at the Mill Mountain Theatre in Roanoke, Virginia. He conceived the idea of a musical revue of the songs of Jerome Kern which had a well-received try-out production in the fall of 2004 at Catholic University in Washington, D. C.
Ed has served a number of times on the Tony Nominating Committee and the Pulitzer Prize Drama Jury, most recently on the Pulitzer Jury in 2003. For twenty two years he was the theater critic of the Wall Street Journal. A long time member of the New York Drama Critics Circle, he was president of the Circle for several years. He is on the board of the John Golden Fund and was also for many years on the Board of the Theater Development Fund, of which he served as President.
View Table of Contents
Table of Contents
Chapter 1: Experiencing Theatre, Past and Present Part One: The Audience Chapter 2: The Audience: Its Role and Imagination Chapter 3: Background and Expectations of the Audience Chapter 4: The Audience views the Stage: Theatre Spaces Part Two: The Performers and the Director Chapter 5: Acting Chapter 6: The Director and the Producer Part Three: Creating the Play: The Playwright Chapter 7: Creating the World of the Play Chapter 8: Dramatic Forms and Dramatic Characters Chapter 9: Tragedy, Comedy and Tragicomedy Part Four: The Designers Chapter 10: Scenery Chapter 11: Stage Costumes Chapter 12: Lighting and Sound Part Five: The Theatre Landscape Today Chapter 13: Musical Theatre Chapter 14: Today's Global Theatre Chapter 15: Contemporary American Theatre
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