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World Cinema : Critical Approaches

World Cinema : Critical Approaches - 00 edition

ISBN13: 978-0198742821

Cover of World Cinema : Critical Approaches 00 (ISBN 978-0198742821)
ISBN13: 978-0198742821
ISBN10: 0198742827
Cover type: Paperback
Edition/Copyright: 00
Publisher: Oxford University Press
Published: 2000
International: No

List price: $49.95

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World Cinema : Critical Approaches - 00 edition

ISBN13: 978-0198742821

John Hill and Pamela Church Eds. Gibson

ISBN13: 978-0198742821
ISBN10: 0198742827
Cover type: Paperback
Edition/Copyright: 00
Publisher: Oxford University Press

Published: 2000
International: No
Summary

Ranging from pre-1930s Europe to contemporary "Bollywood" musicals, this extensive guide to world cinema offers contributions from international experts and covers areas as diverse as New German, Indian, and South American cinema. Emphasizing critical concepts, methods, and debates, it outlines the most recent issues in the field and discusses significant topics such as genre and the impact of technological developments.

Author Bio

Hill, John (Ed.) : University of Ulster at Coleraine

John Hill is Senior Lecturer at the Department of Media and Performance Studies at the University of Ulster at Coleraine.



Gibson, Pamela Church (Ed.) : London College of Fashion

Pamela Church Gibson is a Senior Lecturer in Contextual and Cultural Studies at the London College of Fashion, a constituent college of the London Institute.

Table of Contents

REDEFINING CINEMA: INTERNATIONAL AND AVANT-GARDE ALTERNATIVES

1. Concepts of National Cinema, Stephen Crofts
2. Modernism and the Avante-Gardes, Murray Smith
3. Realism, Modernism, and Post-Colonial, Ashish Rajadhyaksha

REDEFINING CINEMA: OTHER GENRES

4. The Documentary Film, John Izod & Richard Kilborn
5. The Animated Film, Michael O'Pray

EUROPEAN CINEMA

6. Issues in European Cinema, Ginette Vincendeau

CASE-STUDIES: MOVEMENTS, MOMENTS, AND FILMMAKERS

7. The Avant-Gardes and European Cinema before 1930, Ian Christie
8. Italian Post-War Cinema and Neo-Realism, Simona Monticelli
9. The French Nouvelle Vague, Jill Forbes
10. New German Cinema, Ulrike Sieglohr
11. East-Central European Cinema, Daniel J. Goulding
12. European Film Policy and the Response to Hollywood, Armand Mattelart
13. Directors and Stars: (a) Jean Renoir, by Keith Reader; (b) Ingmar Bergman, by Chris Darke; (c) Chantal Akerman, by Cathy Fowler; (d) Pedro Almodóvar, by José Arroyo; (e) Luc Besson, by Susan Hayward; (f) Brigitte Bardot: A Star Case Study, by Ginette Vincendeau

ANGLOPHONE NATIONAL CINEMAS
CASE-STUDIES

14. British Cinema, Andrew Higson
15. Ireland and Cinema, Martin McLoone
16. Australian Cinema, Elizabeth Jacka
17. Canadian Cinema, Will Straw

WORLD CINEMA

18. Issues in World Cinema, Wimal Dissanayake

CASE-STUDIES: CINEMAS OF THE WORLD

19. Indian Cinema, Ashish Rajadhyaksha
Reading: `Popular Hindi Cinema', Rosie Thomas
20. Chinese Cinema, Berenice Reynaud
21 (a). Hong Kong Cinema: Discovery and Pre-Discovery, Stephen Teo
21 (b). China, and 1997, N. K. Leung
22. Taiwanese New Cinema, Kuan-Hsing Chen
23. Japanese Cinema, Freda Freiberg
24. African Cinema, N. Frank Ukadike
Reading: Hyenas, Richard Porton
25. South American Cinema, Julianne Burton-Carvajal

FILM IN A CHANGING AGE

26. Film and Changing Technologies, Laura Kipnis
27. Film and Television, John Hill

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