by William Nothstine, Carole Blair and Gary A. Copeland
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Critical Questions is a unique collection of original essays about the practice of media and rhetorical critics. Eighteen practicing critics offer insightful discussion of how the critical questions are formed that guide their research, and how the writing and publishing processes can alter and shape those questions. Critical Questions places these issues in their historical context and offers guidelines for beginning critics.
Part I: Critical Invention: A General Orientation
Chapter 1: Invention in Media and Rhetorical Criticism: A General Orientation
Chapter 2: Professionalization and the Eclipse of Critical Invention
Chapter 3: Wandering with Rhetorical Criticism
Chapter 4: The Invention of Rhetorical Criticism in My Work
Part II: Critical Invention: Maxims, Commentaries, and Cases
Maxim 1: Criticism Requires Understanding and Pursuing One's Own Interest
Chapter 5: Feminist and The Mary Tyler Moore Show
Chapter 6: The Campaign for Civil Defense
Chapter 7: The Frankenstein Myth in Contemporary Cinema
Maxim 2: Criticism is Written to and for an Audience
Chapter 8: Rhetorical Structure and Primate
Chapter 9: Constitutive Rhetoric and the Peuple Quebecois
Chapter 10: Pseudo-Private and the PTL Ministry Scandal
Maxim 3: Criticism is Both Served and Confined by Theory and Methos
Chapter 11: The Metaphor of Force in Prowar Discourse
Chapter 12: Premillennial Apocalyptic
Chapter 13: The Rhetoric of Dehumanization
Chapter 14: Cicero's Redemptive Identification
Maxim 4: Criticism Rarely Travels a Straight Line to Its End
Chapter 15: Public Memorializing in Postmodernity
Chapter 16: The Rhetoric of American Foreign Policy
Chapter 17: Reminiscences of Los Alamos
Critical Questions is a unique collection of original essays about the practice of media and rhetorical critics. Eighteen practicing critics offer insightful discussion of how the critical questions are formed that guide their research, and how the writing and publishing processes can alter and shape those questions. Critical Questions places these issues in their historical context and offers guidelines for beginning critics.
Part I: Critical Invention: A General Orientation
Chapter 1: Invention in Media and Rhetorical Criticism: A General Orientation
Chapter 2: Professionalization and the Eclipse of Critical Invention
Chapter 3: Wandering with Rhetorical Criticism
Chapter 4: The Invention of Rhetorical Criticism in My Work
Part II: Critical Invention: Maxims, Commentaries, and Cases
Maxim 1: Criticism Requires Understanding and Pursuing One's Own Interest
Chapter 5: Feminist and The Mary Tyler Moore Show
Chapter 6: The Campaign for Civil Defense
Chapter 7: The Frankenstein Myth in Contemporary Cinema
Maxim 2: Criticism is Written to and for an Audience
Chapter 8: Rhetorical Structure and Primate
Chapter 9: Constitutive Rhetoric and the Peuple Quebecois
Chapter 10: Pseudo-Private and the PTL Ministry Scandal
Maxim 3: Criticism is Both Served and Confined by Theory and Methos
Chapter 11: The Metaphor of Force in Prowar Discourse
Chapter 12: Premillennial Apocalyptic
Chapter 13: The Rhetoric of Dehumanization
Chapter 14: Cicero's Redemptive Identification
Maxim 4: Criticism Rarely Travels a Straight Line to Its End
Chapter 15: Public Memorializing in Postmodernity
Chapter 16: The Rhetoric of American Foreign Policy
Chapter 17: Reminiscences of Los Alamos
Critical Questions is a unique collection of original essays about the practice of media and rhetorical critics. Eighteen practicing critics offer insightful discussion of how the critical questions are formed that guide their research, and how the writing and publishing processes can alter and shape those questions. Critical Questions places these issues in their historical context and offers guidelines for beginning critics.
Part I: Critical Invention: A General Orientation
Chapter 1: Invention in Media and Rhetorical Criticism: A General Orientation
Chapter 2: Professionalization and the Eclipse of Critical Invention
Chapter 3: Wandering with Rhetorical Criticism
Chapter 4: The Invention of Rhetorical Criticism in My Work
Part II: Critical Invention: Maxims, Commentaries, and Cases
Maxim 1: Criticism Requires Understanding and Pursuing One's Own Interest
Chapter 5: Feminist and The Mary Tyler Moore Show
Chapter 6: The Campaign for Civil Defense
Chapter 7: The Frankenstein Myth in Contemporary Cinema
Maxim 2: Criticism is Written to and for an Audience
Chapter 8: Rhetorical Structure and Primate
Chapter 9: Constitutive Rhetoric and the Peuple Quebecois
Chapter 10: Pseudo-Private and the PTL Ministry Scandal
Maxim 3: Criticism is Both Served and Confined by Theory and Methos
Chapter 11: The Metaphor of Force in Prowar Discourse
Chapter 12: Premillennial Apocalyptic
Chapter 13: The Rhetoric of Dehumanization
Chapter 14: Cicero's Redemptive Identification
Maxim 4: Criticism Rarely Travels a Straight Line to Its End
Chapter 15: Public Memorializing in Postmodernity
Chapter 16: The Rhetoric of American Foreign Policy
Chapter 17: Reminiscences of Los Alamos